| Satterwhite, Marc. All Your Diamond Tears: Recent Chamber Works of Marc Satterwhite. Centaur, CRC-4042, 2023. Cover art: Joseph Klein, Ode II: Newton’s Divine Miscalculation (enamel on canvas, 1984). |
| Hopkins, Lucas. The Bass Saxophone: A Historical Account and Performance Guide. Doctoral dissertation submitted for the DMA degree at the University of Colorado (May 2021), pp. 94, 116; reference to Der Schönheitsmolch. |
| Anderson, Drake. “(Per)forming Open Form: A Case Study with Earle Brown’s Novara.” Journal of the Society for Music Theory, Vol. 26, No. 3, September 2020; interview citations. |
| Christina Rossetti in Music Project. University of Ottawa (Ottawa, ON, Canada), 2017; annotated bibliographic citation for Goblin Market. |
| Kilgore-Caradec, Jennifer. “Geoffrey Hill’s Serpents and Dragons.” Dynamics of Desacralization: Disenchanted Literary Talents, ed. By Paola Partenza. Göttingen: V&R, 2015, p.155; citation of Leviathan. |
| Hageraats, G.J.E.M. De mens is het verwandlungsdier: Elias Canetti over verwandlung, massa en meer. Doctoral thesis submitted for the PhD degree at the University of Amsterdam (December 2012), p. 274; reference to three Canetti studies (1999). |
| Satterwhite, Marc. Spiky Epiphanies: Chamber Music of Marc Satterwhite. Centaur, CRC-3021, 2010. Cover art: Joseph Klein, detail from Conjectural Landscape I: Forbidden Conquests (mixed media on canvas, 1984). |
| Kay, Les. “An Interview with Alice Fulton.” Memorious: A Journal of New Verse and Fiction, Issue 15, October 2010; citation of the road in its unfoldings. |
| Frank, Robert J. Beyond the Common Practice: Concepts and Performance Practices in Contemporary Instrumental Music. Deer Park, NY: Linus Publications, 2010; includes excerpts of IcarUS At thE caBARet VoLtairE (1985) and Goblin Market (1993), pp. 41, 64. |
| Davidson, Michael McKenney. An Annotated Database of 102 Selected Published Works for Trombone Requiring Multiphonics. Doctoral dissertation submitted for the DMA degree at the University of Cincinnati College-Conservatory of Music (August 2005), pp. 175-180; includes analysis of Goblin Market and Leviathan. |
| Tischhauser, Katherine Jetter. A Survey of the Use of Extended Techniques and Their Notations in Twentieth Century String Quartets Written since 1933 by American Composers with a Selected Annotated Bibliography and Discography. Doctoral treatise submitted for the DMA degree at Florida State University (October 2002), p. 93; includes entry on Pax impotens. |
| Small, David. “A World of Music.” Denton Entertainment Chronicle, 21 August 2000, pp. 20-21; quoted in article pertaining to the composition program at the UNT College of Music. |
| Johnson, Steven. “Rothko Chapel and Rothko’s Chapel.” Perspectives of New Music, Vol. 32, No. 2 (Summer 1994), pp 6-53; citation of February 1994 performance by Canticum novum (directed by Henry Gibbons) and the NOVA Ensemble (directed by Joseph Klein) at the Rothko Chapel in Houston. |
| Schneider, John. “Soundboard.” KPFK-FM (Los Angeles, CA), 7 November 1986; radio interview with the Elgart/Yates Guitar Duo and Alan Berman, including discussion and live performance of IcarUS At thE caBARet VoLtairE. |
| Martinson, Connie. “Connie Martinson Talks Books.” L.A. CityView Channel 35, October 1985; television interview with percussionist David Yoken, featuring discussion and demonstration of Prime Set. |
| Bachauer, Walter. “A Report on the ‘Center for Music Experiment’ at the University of California in San Diego.” German radio broadcast (June 1985); included excerpt from Songs of Life and the Prune Danish Controversy. |
