| 2024: |
| Central Washington University New Music Festival (Ellensburg, WA), October 2024; performance of Der Heroszupfer featuring trombonist John Neurohr [juried]. |
| "The Microtonal Village" Conference at The Village Trip Festival 2024 (New York, NY), September 2024: "The Microtonal Harpsichord: Two Recent Works Exploring Just Tuning Systems" — lecture recital (with Elliot Figg), including performance of Die Geruchschmale [juried]. |
| Echofluxx 24 Festival of New Media, Music, and Art (Prague, CZ), September 2024; Verklärte Einblicke selected for performance by the Prague Modern Ensemble [juried]. |
| CAMPGround 24 (Tampa, FL), March 2024: An Unaware Cosmos selected for performance by the Contemporary Art Music Project [juried]. |
| 21st Biennial Festival of New Music at Florida State University (Tallahassee, FL), February 2024: Der Saus und Braus selected for performance [juried]. |
| 2023: |
| 6th Edition of the International Symposium of New Music (Núcleo Música Nova), State University of Paraná (Curitiba, Brazil), November 2023: Chain of Circumstances (screendance version) selected for presentation [juried]. |
| 7th Annual Research on Contemporary Composition conference, University of North Georgia (Dahlonega, GA), October 2023: Chain of Circumstances (screendance version) selected for presentation [juried]. |
| 63rd Annual Organ Conference, University of Michigan (Ann Arbor, MI), October 2023: “New Approaches to Pitch in Three Recent Works for Historical Keyboards” — lecture recital, including performance of Der Gottprotz [juried]. |
| Teaching Composition: A Symposium on Composition Pedagogy, University of Utah (Salt Lake City, UT), September 2023: "A Comprehensive-Immersive Approach to Beginning Composition Instruction: A 25th-Year Report from the University of North Texas" selected for presentation [juried]. |
| Society of Composers, Inc. Online National Conference, June 2023: Chain of Circumstances (screendance version) selected for performance [juried]. |
| 80th Annual Congress of the Guild of Carillonneurs in North America (Cohasset, MA), June 2023: premiere performance of Der Maestroso and panelist for composers forum. |
| 2022: |
| Boston New Music Initiative Prismatic Congruency Series (Boston, MA), December 2022: Der Ohrenzeuge selected for presentation [juried]. |
| Fulbright Reunion Art Exhibition, August 2022: Chain of Circumstances selected for inclusion [juried]. |
| 8th Annual MISE-EN Music Festival, Mise-en Place (Brooklyn, NY), June 2022: performance of Verklärte Einblicke. |
| 2022 Festival of Contemporary Art Music at Washington State University (Pullman, WA), March 2022: Chain of Circumstances (screendance version) selected for presentation [juried]. |
| Boston New Music Initiative Prismatic Congruency Series (Boston, MA), March 2022: Der Tückenfänger selected for performance [juried]. |
| The 21st Century Guitar conference, Ball State University (Muncie, IN), March 2022: “Modular, Recombinant, and Concurrent Approaches to Music Form: Two Recent Works with Guitar” selected for presentation and An Unaware Cosmos selected for performance [juried]. |
| 2021: |
| The Arc Project Online Festival 2021 (York, England/UK), December 2021: Canetti-menagerie selected for presentation [juried]. |
| FilmFest by Rogue Dancer: Dance NOIR Edition (Raleigh, NC; online festival), November-December 2021: Chain of Circumstances (screendance version) — Official Selection [juried]. |
| Audiovisual Frontiers Virtual Exhibition, University of California, Riverside (Riverside, CA; online event), November 2021: Chain of Circumstances (screendance version) selected for presentation [juried]. |
| Brno Philharmonic Moravian Fall Festival (Brno, CZ), October 2021: performance of Chain of Circumstances. |
| American Spring Festival (Czechia), September-October 2021: performances of Chain of Circumstances. |
| National Flute Association Convention (Dallas, TX; online event), August 2021: performance of Phosphenes [juried ensemble recital]. |
| International Trombone Festival; Columbus State University, July 2021: performance of Der Heroszupfer [juried performer recital]. |
| Society of Composers, Inc. National Conference (online event), May 2021: presentation of Der Saus und Braus [juried]. |
| 2020: |
| Sonic Murals Festival, University of North Texas (Denton, TX), November 2020: presentation of Chain of Circumstances (screendance version). |
| 41st Annual Bowling Green State University New Music Festival (Bowling Green, OH; online event), October 2020: Der Schönheitsmolch selected for presentation [juried]. |
| Society of Composers, Inc. National Conference, University of Texas at Arlington (Arlington, TX); scheduled for March 2020, cancelled due to COVID-19: Against the gusts of blank repose, a threshold that persists; and Der Tückenfänger selected for performance [juried]. |
| Society of Composers, Inc. Region VI Conference, Trinity University (San Antonio, TX), February 2020: Der Gottprotz selected for performance [juried]. |
| 2015-19: |
| James Madison University Contemporary Music Festival (Harrisonburg, VA), October 2018: featured guest composer (with Libby Larson) — lecture, masterclass, and performances of six works. |
| Henri Selmer Paris International Summer Clarinet Academy, Michigan State University (East Lansing, MI), May 2018: performance of Der Tückenfänger. |
| On Growth and Form Centenary Conference (Dundee, Scotland/UK), October 2017: “Practical Applications of D’Arcy Wentworth Thompson’s On Growth and Form on Musical Materials and Structures” selected for presentation [juried]. |
| New York City Electroacoustic Music Festival (New York, NY), June 2015: Cornell Set selected for performance [juried]. |
| 2010-14: |
| 34th Annual Bowling Green State University New Music Festival (Bowling Green, OH), October 2013: Cornell Set selected for performance [invited]. |
| CEMIcircles Festival, University of North Texas (Denton, TX), October 2013: performance of Zwei Parabeln nach Franz Kafka. |
| Living Arts of Tulsa/OK Electric Festival (Tulsa, OK), October 2012: performance of Cornell Set. |
| 13th Biennial Symposium on Arts and Technology, Ammerman Center for Arts and Technology, Connecticut College (New London, CT), March 2012: Cornell Set selected for performance [juried]. |
| “Sonic Diasporas” Festival, University of California, San Diego (La Jolla, CA), January 2011: performance of Der Leichenschleicher. |
| 2005-09: |
| Twelve Nights Electroacoustic Music and Arts Festival, Harold Golen Gallery (Miami, FL), December 2009: Goblin Market selected for presentation [juried]. |
| Percussive Arts Society International Conference, Indiana Convention Center (Indianapolis, IN), November 2009: performance of Die Sternklare [juried performer recital]. |
| Society of Composers, Inc. Region V Conference, Clarke University (Dubuque, IA), October 2009: performance of Der Ohrenzeuge [juried performer recital]. |
| Electroacoustic Juke Joint Festival, Delta State University (Cleveland, MS), November 2008: Three Poems from Felt selected for performance [juried]. |
| 2008 Myongji International Contemporary Music Festival, Myongji University (Yongin, South Korea), October 2008: performance of Three Studies in Change. |
| 11th Biennial Symposium on Arts and Technology, Ammerman Center for Arts and Technology, Connecticut College (New London, CT), February 2008: Three Poems from Felt selected for performance [juried]. |
| International Workshop on Computer Music and Audio Technology (WOCMAT), National Chiao Tung University (Hsinchu, Taiwan), March 2007: “Creating an Electroacoustic Environment for Text Setting: Three Poems from Alice Fulton’s Felt” and performance of Three Poems from Felt [invited]. |
| Society for Electroacoustic Music in the United States 2007 Conference; Iowa State University (Ames, IA), March 2007: Three Poems from Felt selected for performance [juried]. |
| Conference “Composer au XXIe siècle: processus et philosophies,” Observatoire internationale de la creation musicale (OICM); Université de Montréal (Montréal, Canada), March 2007: “A Comprehensive-Immersive Approach to Beginning Composition Instruction” selected for presentation [juried]. |
| Percussive Arts Society International Conference, University of Texas (Austin, TX), November 2006: performance of 3 Haiku [juried performer recital]. |
| 14th World Saxophone Congress, Linhart Hall of Cankarjev dom, Cultural and Congress Centre (Ljubljana, Slovenia), July 2006: performance of Die Müde [juried performer recital]. |
| Conference “Politics and Media,” Lodz Academy of International Studies (Lodz, Poland), April 2006: “It Can’t Happen Here: Political and Social Commentary in the Works of Frank Zappa” selected for presentation [juried]. |
| 14th Annual Florida Electroacoustic Music Festival; University of Florida (Gainesville, FL), April 2005: curated program of works from the UNT Center for Experimental Music & Intermedia, including Three Poems from Felt. |
| 2000-04: |
| Electronic Music Midwest Festival; Lewis University (Romeoville, IL), September 2004: Leviathan selected for performance [juried]. |
| 4th Annual American Music Week in Bulgaria (Sofia and Blagoevgrad, Bulgaria), November 2001: guest composer & conductor—presented lecture, “Games Composers Play” at the American University in Bulgaria; performances of new music at the Sofia Municipal Art Gallery, including Die Tischtuchtolle [invited]. |
| Legacies Conference, University of North Texas College of Music (Denton, TX), October, 2001: “An Open Forum on the New Technologies” (panel chair) and performance of Pax impotens [invited]. |
| International Double Reed Society Conference; University of West Virginia (Morgantown, WV), August 2001: performance of Der Leidverweser [juried performer recital]. |
| University of Memphis “Imagine 2001” Festival (Memphis, TN), March 2001: master class panelist and performance of Der Leichenschleicher [juried]. |
| Florida State University New Music Festival (Tallahassee, FL), February 2001: Lament selected for performance [juried]. |
| Society for Electroacoustic Music in the United States Y2K Conference; University of North Texas (Denton, TX), March 2000: Dog selected for performance [juried]. |
| 3rd Annual American Music Week in Bulgaria (Sofia, Bulgaria), November 2000: performance of Der Wasserhehler. |
| Western Illinois University New Music Festival (Macomb, IL), February 2000: Lament selected for performance [juried]. |
| 1995-99: |
| 20th Annual Bowling Green State University New Music & Art Festival (Bowling Green, OH), October 1999: Dog selected for performance [juried]. |
| Towson University Twentieth Century Music Festival (Towson, MD), April 1999: guest composer—lecture, masterclass, and performances of four works. |
| 15th Annual Focus! Festival, The Juilliard School (New York, NY), January 1999: featured composer—roundtable panelist and performance of Leviathan. |
| Sonic Circuits Electronic Music Festival (Minneapolis, MN), 1998: Dog selected for performance [juried]. |
| International Double Reed Society Conference (Arizona State University), June 1998: performance of Dog [juried performer recital]. |
| Louisiana State University New Music Festival (Baton Rouge, LA), March 1998: Dog selected for performance [juried]. |
| University of Texas at San Antonio New Music Festival, February 1998: performance of Dog. |
| Living Arts of Tulsa/New Genre Festival (Tulsa, OK), June 1997: curated program by the Nova Ensemble, including a performance of Images [juried]. |
| Living Arts of Tulsa/New Genre Festival (Tulsa, OK), June 1996: IcarUS At thE caBARet VoLtairE, Ritual IV, and Outdoor Music IV selected for performance [juried]. |
| International Trombone Festival; University of Nevada, Las Vegas, June 1995: performance of Goblin Market [juried performer recital]. |
| Living Arts of Tulsa/New Genre Festival (Tulsa, OK), June 1995: Goblin Market selected for performance [juried]. |
| College Music Society Conference; University of North Texas (Denton, TX), March 1995: curated program by the Nova Ensemble. |
| North American Saxophone Alliance Conference; University of North Texas (Denton, TX), March 1995: performance of Pathways III: Interior Shadows. |
| 1990-94: |
| New Music Symposium, Morehead State University (Morehead, KY), March 1994: guest composer & conductor—lecture, masterclass, and performances of five works. |
| International Trumpet Guild Conference; University of Akron (Akron, OH), May 1993: performance of Riot Act [juried ensemble recital]. |
| Society of Composers, Inc. Region VI Conference; University of Central Oklahoma (Edmond, OK), February 1993: curated program by the Nova Ensemble, including a performance of 3 Love Songs. |
| Tigertail Productions “New from Abroad” Listening Room, 21st Annual Bienal of São Paulo, Brazil, September-December 1991: Pax impotens selected for presentation [juried]. |
| Composers' Forum "New Music/New Composers" workshop (New York, NY), April 1991: 3 Haiku selected for performance [juried]. |
| Indiana University “Music of Our Time” Conference (Bloomington, IN), June-July 1990: performance of Mélodrame and Parallaxes. |
| NOW MUSIC Festival '90/ Society of Composers, Inc. Region V Conference, Capital University (Columbus, OH), February 1990: MOTET: memento mori selected for performance [juried]. |
| 1985-89: |
| Midwest Composers Symposium; University of Michigan (Ann Arbor, MI), November 1989: Parallaxes selected for performance [juried]. |
| Al fresco festival; Transylvania University (Lexington, KY), May 1989: Outdoor Music IV selected for performance [juried]. |
| Midwest Composers Symposium; Northwestern University (Evanston, IL), November 1988: March Transforms selected for performance [juried]. |
| Gaudeamus Foundation International MusicWeek (Amsterdam, Netherlands), September 1988: IcarUS At thE caBARet VoLtairE selected for performance [juried]. |
| Virginia Band Directors National Association "Symposium XII for New Band Music"; Old Dominion University (Norfolk VA), February 1987: March Transforms selected for performance [juried]. |
| 3rd Annual University of California Composers Conference; UC Santa Barbara, April 1986: IcarUS At thE caBARet VoLtairE selected for performance [juried]. |
| 2nd Annual University of California Composers Conference; UC Davis, April 1985: Études for solo conductor selected for performance [juried]. |
