Der Tückenfänger

Complete Work Title:

Der Tückenfänger (The Wile-catcher) — character study after Elias Canetti

Performance Medium:

solo basset horn (or bass clarinet)

Duration:

6:30

Date Composed:

October – December 2014

Dedication:

for Kimberly Cole Luevano

Additional Information:

  • This work is part of a collection of solo works based on character studies in Elias Canetti’s book Der Ohrenzeuge (Earwitness).
  • Solo works from this collection may be programmed as a set, or in conjunction with the semi-improvisational, open-form works Canetti-menagerie (for five to eight instruments) or Conversations (for two to four instruments), which use these works as source material for improvisational interplay.

Recording:

Kimberly Cole Luevano, basset horn; recorded 6 June 2018 at the University of North Texas Merrill Ellis Theater;

Score:

Program Note:

Der Tückenfänger (The Wile-catcher) is the fourteenth in a series of short works for solo instrument based upon characters in Der Ohrenzeuge: Fünfzig Charaktere (Earwitness: Fifty Characters), written in 1974 by the Bulgarian-born British-Austrian novelist Elias Canetti (1905-1994). Canetti’s distinctive studies incorporate poetic imagery, singular insights, and unabashed wordplay to create fifty ironic paradigms of human behavior. This collection, begun in 1997, was inspired by the vividly surreal depictions of Canetti’s characters, and comprises twenty-two solo works to date—composed for familiar instruments such as violin, guitar, piano, and trombone, as well as less common instruments such as ocarina, cimbalom, glass harmonica, and carillon. In Canetti’s depiction of this character, “the Wile-catcher looks around corners and will not be deceived. He knows what is hidden behind innocent masks, he knows, as if lightning has struck him, what someone wants from him; and before the mask falls of its own accord, he makes a quick decision and tears it off.”

Der Tückenfänger was completed in December 2014 and composed for clarinetist Kimberly Cole Luevano, who premiered the work on 19 September 2016 at the University of North Texas.

Performance/Broadcast History:

DateVenueLocationPerformer(s)
9 March 2023Northern Illinois UniversityDeKalb, ILAnthony Devea, basset horn
19 March 2022Boston New Music Initiative Prismatic Congruency SeriesBoston, MA (online)Stephanie Clark, bass clarinet
23 April 2019Texas State UniversitySan Marcos, TXKimberly Cole Luevano, basset horn
22 April 2019Stephen F. Austin State UniversityNacogdoches, TXKimberly Cole Luevano, basset horn
8 March 2019Texas A&M University, CommerceCommerce, TXKimberly Cole Luevano, basset horn
7 March 2019University of OklahomaNorman, OKKimberly Cole Luevano, basset horn
31 May 2018Michigan State University—Henri Selmer Paris Summer AcademyEast Lansing, MIKimberly Cole Luevano, basset horn
11 April 2018Moody Performance HallDallas, TXKimberly Cole Luevano, basset horn
19 September 2016University of North TexasDenton, TXKimberly Cole Luevano, basset horn